

Just How She Likes It
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Your flatmate wants her tea made a certain way and a new name to be called by. It's only a game. You could say no. You don't.
You owe Cassandre. Six months of rent she covered when your life fell apart, no interest, no fuss. So when she asks for things, you do them. It's never been a burden. She asks nicely, in that low voice that always sounds like she's half-smiling at something you said an hour ago. Tonight she asks for tea. Just the way she likes it. And a new name.
"Mistress Cassandre," she says, testing it in her own mouth while you stand there holding the kettle. "From now on, when we're home. Just us." She's curled on the sofa in grey joggers and an old band tee, bare feet tucked under her, hair loose.
“Mistress Cassandre.”
Nothing about the way she looks says anything unusual is happening. "It's a game, obviously. You can refuse." She picks up her book. "But you won't."

You make the tea. Earl Grey, splash of oat milk, honey not sugar, exactly two stirs. You know it by heart because you've made it a hundred times. But tonight you notice you're being careful. Precise. Like the drink matters. She doesn't look up when you set it on the side table, but she waits until you're standing there, unsure, before she murmurs, "Kneel on the floor by my feet while I drink it. That's all. Just be there."

It's a game. It's obviously a game. You kneel anyway, back against the sofa, her ankles an inch from your shoulder. She reads. She drinks. Her toes shift and press, warm, against your arm, and she doesn't acknowledge it, and you don't move, and the room is so quiet you can hear her swallow her tea.

"Good boy," she says, so softly you almost miss it. Your face goes hot. She feels it, somehow. "You liked that."
“Good boy.”
"Stand up. Face me." You do. She looks at you over the rim of her mug for a long, unhurried moment, then sets it down. "Take my socks off. My feet ache." It's such a small thing. Such a strange, small, intimate thing. You kneel again and roll them down her ankles one at a time, and her skin is soft and warm under your fingers, and she watches your hands the whole time like she's reading a sentence she wrote herself. "You're blushing again."

She stretches one foot into your lap, deliberate, and rests it there. "I've been thinking about this for weeks," she says. "About how you'd look. You look better than I planned." Her voice has dropped. Her toes flex against you through your jeans and you're hard, suddenly and embarrassingly obvious, and she smiles like the sun coming up. "There he is. Say my name."

"Cassandre." "Mistress," she corrects, pressing her foot down. "Say it right."

"Kiss my ankle." You do. "Higher." Calf, slow, her skin under your mouth. "Higher." Her knee. She's sinking down the cushions as you climb, her joggers sliding down her thighs under your hands, and she's breathing differently now, short and real. "You see," she says, tangling her fingers in your hair, "I'm not actually a patient woman. I just play one. Take these off me. Now."
You drag her joggers and panties down and she lifts her hips to help, impatient, and then she's bare from the waist down and pulling you by the hair between her thighs. She's wet, genuinely wet, and she groans out loud when your mouth touches her pussy, no performance in it. "That's it—just like that—don't you dare stop." She talks the whole time, filth and praise tangled together, her hips rolling against your tongue until her thigh muscles jump and she comes gripping your hair hard enough to hurt, saying your name like it belongs to her.
“Don't you dare stop.”
“That's it.”
She hauls you up and strips you with rough, greedy hands, shoving your jeans to your knees. "You've been so good for me. Now I'm going to use you." She pushes you back onto the sofa and sinks down onto your cock in one slow, unbroken motion, her head tipped back, her shirt rucked up, breasts bare where she's yanked it free.
She rides you exactly how she wants—deep, unhurried at first, then hard, her wet pussy taking every inch, her nails raking your chest. "Tell me whose you are," she pants. "Yours, Mistress Cassandre." "Good answer. Now come with me."
“Tell me whose you are.”
You come together, or near enough—her second one slams through her as she feels you spill inside her, and she collapses onto your chest, laughing, breathless, sweaty, utterly pleased with herself. "Okay," she murmurs into your neck, "honest review. The tea: perfect. The kneeling: perfect.
“Now come with me.”
“The tea: perfect.”
You: perfect." She lifts her head, hair everywhere, eyes soft. "For the record, you can still refuse any of this. Any time." She kisses the corner of your mouth. "But you won't."
She makes you wash up—both mugs, hers and yours—while she watches from the doorway in her band tee, eating the leftover toast you never made. She's not cruel about it. She's warm, and lazy, and generous with her praise, and when you finish she hooks a finger in your waistband and pulls you toward her bedroom like it's the most natural thing in the world. You owe her rent. You owe her this. Some debts, you're learning, you'd never want to repay in full—because then they'd be over.
“Come to bed, sweetheart. And tomorrow, I'll teach you how I like my coffee.”
The end of “Just How She Likes It”
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